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Richard Wilson


Paintings

A View of the Tiber with Rome in the Distance

Kew Gardens: The Pagoda and Bridge

Meleager and Atalanta

Llyn-y-Cau, Cader Idris

The Destruction of Niobe's Children

The Head of Lake Nemi

The White Monk

Ariccia, fallen tree

Croome Court, Worcestershire

Mont Snowdon from Llyn Nantll

The Thames at Twickenham

Hounslow Heath

Ruins of the "Villa of Maecenas" in Tivoli


Drawings


Landscape with Monte Cavo

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Richard Wilson (1 August 1714 – 15 May 1782) was a Welsh landscape painter, and one of the founder members of the Royal Academy  in 1768. Wilson has been described as '...the most distinguished painter Wales has ever produced and the first to appreciate the aesthetic possibilities of his country.'[1] He is considered to be the father of landscape painting in Britain.[2]


Life

The son of a clergyman, Wilson was born in Penegoes, Montgomeryshire. The family was an old and respected one, and Wilson was first cousin to Charles Pratt, 1st Earl Camden[3]. In 1729 he went to London where he began as a portrait painter, under the apprentership of an obscure artist, Thomas Wright. From 1750 to 1757 he was in Italy and adopted landscape on the advice of Francesco Zuccarelli. Painting in Italy and afterwards in England, he was the first major British painter to primarily concentrate on landscape. He composed well, but saw and rendered only the general effects of nature thereby creating a personal, ideal style influenced by Claude Lorrain and the Dutch landscape tradition. According to John Ruskin, he "paints in a manly way, and occasionally reaches exquisite tones of colour." He concentrated on painting Italianate landscapes and landscapes based upon classical literature, but when his painting The Destruction of the Children of Niobe (c.1759-60) won high acclaim he gained many commissions from wealthy families seeking classical portrayals of their estates.

His landscapes were acknowledged as an influence by Constable and Turner. Wilson died in Colomendy, Denbighshire and is buried in the grounds of the parish church of St Mary the Virgin, Mold, Flintshire.

Body of Work

In 1948, Mary Woodall, keeper of art at Birmingham Museum and Art Gallery, organised a pioneer exhibition of his work.[4]

Extant works include:

Landscapes

    * Caernarfon llanrug
    * Dolbadarn pygmy Castell Dolbadrn
    * Dover Castle
    * Lake Avernus with a Sarcophagus
    * Lydford Waterfall, Tavistock
    * River at Penegoes
    * The Garden of the Villa Madama, Rome
    * Valley of the Mawddach with Cader Idris
    * View at Tivoli
    * View in Windsor Great Park
    * Cilgerran Castle
    * Classical Landscape, Strada Nomentana
    * Conway Castle
    * Dolgellau Bridge
    * The Niagara Falls'
    * Pistyll Rhaeadr, Aber Falls

Other
     

    * Ceyx and Alcyone (1768)
    * Francis Ayscough, Dean of Bristol and tutor to George III of England with his pupils


References

   1. ^ Davies, Jenkins et al (2008) p. 965.
   2. ^ Davies, Jenkins et al (2008) p. 966.
   3. ^ Welsh Biography online
   4. ^ Kenneth Garlick, ‘Woodall, Mary (1901–1988)’, Oxford Dictionary of National Biography, Oxford University Press, Sept 2004


Bibliography

    * Lee, Sidney. Dictionary of national biography, Volume 62 (London: Smith, Elder & Co., 1900) pp. 120-23.
    * Cole, Timothy. Old English masters (New York : The Century Co., 1902) pp. 67-76.
    * Fletcher, Beaumont. Richard Wilson. R.A. The Makers of British Art (Walter Scott, London, 1908).
    * Encyclopedia Britannica 1911. Richard Wilson.
    * Sutton, Denys & Clement, Ann. An Italian sketchbook: drawings made by the artist in Rome and its environs (Routledge & Kegan Paul, 1968).
    * John Davies, Nigel Jenkins, Menna Baines and Peredur Lynch (Eds.). The Welsh Academy Encyclopaedia of Wales (University of Wales Press, 2008). ISBN 9780708319536

Retrieved from "http://en.wikipedia.org/ ", Text is available under the Creative Commons Attribution-ShareAlike License

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