Jean-Paul Laurens

Paintings

The Death of Tiberius

John Chrysostom and Aelia Eudoxia

Pope Formosus and Stephen VI - The Cadaver Synod

Portrait of a woman

The Byzantine Emperor Honorius

Hostages

The Last moments of Maximilian, Emperor of Mexico

Self-portrait

The Agitator of Languedoc

Jean-Paul Laurens (March 28, 1838 – March 23, 1921), was a French painter and sculptor, and one of the last major exponents of the French Academic style.

Born in Fourquevaux, he was a pupil of Léon Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his hyper-realistic technique, coupled to a highly theatrical mise-en-scène, came to be regarded as overly didactic and even involuntarily comical.

Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris City Hall, the monumental series on the life of Saint Genevieve in the apse of the Panthéon, the decorated ceiling of the Odéon Theater, and the hall of distinguished citizens at the Toulouse capitol. He also provided illustrations for Augustin Thierry's Récits des temps mérovingiens ("Accounts of Merovingian Times").

Laurens was a professor at the École nationale supérieure des Beaux-Arts in Paris, where he taught André Dunoyer de Segonzac and George Barbier. Two of his sons, Paul Albert Laurens (1870–1934) and Jean-Pierre Laurens (1875–1932), became painters and teachers at the Académie Julian. He died in Paris in 1921.

Notable students

* Marjorie Bates[1]
* Georges Dufrénoy
* Thomas Cooper Gotch
* Christian Herter of Herter Brothers
* A. Y. Jackson
* René Schützenberger

References

1. ^ Bates at Panvertu.com accessed 29 December 2007