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Augusta Stylianou Gallery 
Hiroshi Yoshida (吉田 博, Yoshida Hiroshi?) (1876-1950) was a 20th century Japanese painter and woodblock print maker. He is regarded as one of the greatest artists of the shin hanga style, and is noted especially for his excellent landscape prints. Yoshida travelled widely, and was particularly known for his images of non-Japanese subjects done in traditional Japanese woodblock style, including the Taj Mahal, the Swiss Alps, the Grand Canyon, and other National Parks in the USA. Biography Hiroshi Yoshida (born Hiroshi Ueda) was born in the city of Kurume, Fukuoka, in Kyushu, on September 19, 1876.[1] He showed an early aptitude for art fostered by his adoptive father, a teacher of painting in the public schools. At age 19 he was sent to Kyoto to study under Tamura Skoryu, a well known teacher of western style painting. He then studied under Koyama Shotaro, in Tokyo, for another three years. In 1899, Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art). He then traveled to Boston, Washington, D.C., Providence and Europe. In 1920, Yoshida presented his first woodcut at the Watanabe Print Workshop, organized by Watanabe Shozaburo (1885-1962), publisher and advocate of the shin hanga movement. However, Yoshida’s collaboration with Watanabe was short partly due to the Great Kanto earthquake on September 1, 1923. In 1925, he hired a group of professional carvers and printers, and established his own studio. Prints were made under the his close supervision. Yoshida combined the ukiyo-e collaborative system with the sosaku hanga principle of “artist’s prints”, and formed the third school, separating himself from the shin hanga and sosaku hanga movement. Artistic style Hiroshi Yoshida was trained in the Western oil painting tradition, which was adopted in Japan during the Meiji period. Yoshida often used same blocks and varied the color to suggest different mood. The best example of such is Sailing Boats in 1921. Yoshida’s extensive travel and acquaintance with Americans influenced his art considerably. In 1931, a series of prints depicting scenes from India, Pakistan, Afghanistan, and Singapore were published. Six of these were views of the Taj Mahal in different moods and colors. The Yoshida family legacy The artistic lineage of the Yoshida family of eight artists: Kasaburo Yoshida (1861-1894) whose wife Rui Yoshida was not an artist, Hiroshi Yoshida (1876-1950) whose wife Fujio Yoshida (1887-1987) was an artist, Toshi Yoshida (1911-1995) whose wife Kiso Yoshida (1919-2005) was an artist, Hodaka Yoshida (1926-1995), whose wife Chizuko Yoshida (1924- ) and daughter Ayomi Yoshida (1958- ) are artists (four men and four women spanning four generations) — provides an interesting perspective in looking at Japanese history and art development in the turbulent 20th Century. Although they inherit the same tradition, the Yoshida family artists work in different styles with different sensibilities. Publications Japanese Woodblock Printing, comprehensive guide to the craft of woodblock printing written by Hiroshi Yoshida was published by The Sanseido Company, Ltd. in Tokyo and Osaka in 1939.[2] References 1. ^ Encyclopedia of Woodblock Printmaking : Yoshida Hiroshi : Print-maker : Part One
* Allen, Laura W. A Japanese Legacy: Four Generations of Yoshida Family Artists. Minneapolis: Minneapolis Institute of Arts, Chicago: Art Media Resources, c2002. * Allen, et al., A Japanese Legacy: Four Generations of Yoshida Family Artists, Minneapolis Institute of Arts, 2002. Retrieved from "http://en.wikipedia.org/ ", Text is available under the Creative Commons Attribution-ShareAlike License Artist Index ==--==--==
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