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Paintings Born in Florence as Jacopo Chimenti (Empoli being the birth place of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera (Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. Among his pupils were Felice Ficherelli, Giovanni Battista Brazzè(Il Bigio)[1], Giovanni Battista Vanni, and Virgilio Zaballi.[2] In later years, the naturalism becomes less evident. The porcelain features of his figures accentuated the academic classical trends that restrained Florentine painting during the Baroque period. Finally, working in a thematic often shunned by Florentine painters, after 1620s he completed a series of still-life paintings[1][2]. Selected works * Madonna in Glory with Saint Luke and Saint Ives (1579) - Louvre, Paris References * Freedberg, Sydney J. (1993). "Painting in Italy, 1500-1600". Pelican History of Art. Penguin Books. pp. 630–632. 1. ^ Ticozzi, Stefano (1830). Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d’ogni etá e d’ogni nazione' (Volume 1). Gaetano Schiepatti; Digitized by Googlebooks, Jan 24, 2007. p. 214. http://books.google.com/books?id=0ownAAAAMAAJ&pg=PA5&dq=Stefano+Ticozzi+Dizionario.
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