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Augusta Stylianou Gallery 
PaintingsAlessandro Tiarini (March 20, 1577 – February 8, 1668) was an Italian Baroque painter of the Bolognese School. He was born in Bologna. His mother died when he was a child, and he was raised by an aunt, and early on they tried, unsuccessfully to guide him towards becoming a cleric[1]. He was the godson of painter Lavinia Fontana and initially apprenticed in Bologna under her father Prospero Fontana, and subsequently with Bartolomeo Cesi. He was not inducted into the Carracci Academy. Forced to flee from Bologna, due to what Malvasia and Amorini describe as a quarrel leading to the death of the other party. He moved to Florence, where he painted frescoes, façade decorations, and altarpieces (1599-1606) including an Adoration of the Shepherds (Pitti Palace). In Florence, he mainly worked under Domenico Passignano, but also Bernardino Poccetti and Jacopo da Empoli. He was lured back to Bologna and Reggio Emilia, by Ludovico Carracci. His Grieving over a dead Jesus is in the Pinacoteca Nazionale in Bologna. His masterpiece in Bologna was a series of frescoes for the Brami Chapel in the sanctuary of Basilica della Ghiara. He also painted in Cremona (1623-24). In 1628, where he painted the Story of Gerusalemme Liberata for the Farnese Palazzo del Giardino in Parma. He also painted the Raising of the cross for the Oratorio della Buona Morte in Reggio, a work now presently displayed in the Galleria Estense of Modena. He painted a Virgin, Mary Magdalene, and St. John, weeping over the instruments of the Passion for church of S. Benedetto; St. Catherine kneeling before a Crucifix for S. Maria Maddalena; a Pietà for S. Antonio; and St. Dominic resurrecting a child for the church dedicated to that saint. Tiarini died in Bologna. Other works in Bologna include a Martyrdom of St. Barbara for S Petronio, a Nativity for S. Saltatore, and a Flight to Egypt for S. Vitale. His closest pupils were Francesco Carbone and Luca Barbieri. References 1. ^ Amorini p72 * Francis P. Smyth and John P. O'Neill (Editors in Chief (1986). National Gallery of Art, Washington DC. ed. The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 538–542. * Marchese Antonio Bolognini Amorini (1843). Vite de Pittori ed Artifici Bolognesi. Tipografia Governativa alla Volpe ed Nobili, Bologna. pp. 72–93. http://books.google.com/books?id=-GABAAAAQAAJ&dq=pittori&as_brr=1. * Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves. ed. Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. p. 570. http://books.google.com/books?id=K2cCAAAAYAAJ&pg=PA1&dq=Michael+Bryan+Painters+Engravers#PPP7,M1.
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